无意中翻到马远的《寒江独钓图》,几点水纹,几抹残云。一扁舟,一钓叟,除此之外,满卷皆虚空。这叫留白,是中国水墨画中荡开的浓重一笔。全卷只有几处重点物象是细心勾勒的,其余只是略作铺陈,甚至不沾半点墨。全卷意蕴于是从二维纸面伸展成了无限。留白是与前人的叫板。南宋马远与夏圭,人称马一角、夏半边,尤善留白。而宋前的山水画师,大多是事无巨细,皆一一列举下来。怕是远处草丛中几块石子、几块污秽的牛粪,前人也会一丝不苟地记录下来,装裱,以登大 Inadvertently turned to Ma Yuan’s “fishing alone fishing map”, a few watermarks, a few wipe residual cloud. A boat, a fishing 叟, in addition, full volume is empty. This is called blank, is a thick brush in Chinese ink painting. The whole volume only a few key objects are carefully sketched, and the rest is only slightly made, or even stick to the slightest ink. The whole volume of meaning thus extends from two-dimensional paper into infinite. Blank is with the previous challenger. Ma Yuan and the Southern Song Dynasty Kyu Kyu, known as the horse corner, the summer half, especially good white. The pre-Song landscape artist, most things are size, are listed one by one. Afraid of a few stones in the distance grass, a few pieces of filthy cow dung, the predecessors will be meticulously recorded, mounted to Dengda