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齐白石的《鱼鹰》,画面上只有几笔水墨画成的远山、沙洲和用浓墨描绘的十来只鱼鹰,大片地方一笔水纹都没有。越剧“十八相送”中过一山又一山,梁山伯与祝英台只是在舞台上转了几圈,观赏者却能从这些虚空之中想象出多彩的湖光山色。在情节性的文章中,这种空白艺术也颇为常见,古人“不著一字,尽得风流”之言就是讲的空白。它有待读者的
In Qi Baishi’s Osprey, there are only a few paintings of distant mountains and sandbars on the screen, and a dozen ospreys depicted in thick ink. There is no water pattern in a large area. The Shaoxing Opera and the Eighteen-Year Sending had passed through one mountain and another. Liang Shanbo and Zhu Yingtai only made several laps on the stage. The viewers could imagine the colorful lakes and mountains from these voids. In the circumstance article, this kind of blank art is also quite common. The ancient saying “do not use a word and do a good romantic” is a blank. It has to wait for readers