改革题材的创作面临着困难:类似的人物、类似的矛盾、类似的冲突,越写越容易重复。如何转换或增添新的视角,来丰富体裁、内容与风格,是摆在艺术家面前的一个紧迫课题。近日看四集电视剧《中国蓝》(编剧胡平,导演杨韬、乔宏,中央电视台、北京电影学院电视剧部、江西大学当代文学研究所联合录制)使我感到了这种变化。《中》剧是一部贴近现实,正面描写改革的作品。就基础的故事来说,它似乎并不新鲜。就象许多改革题材作品所描写的那样:一个曾被错划为右派的知识分子,在改革开放的形势下被起用。他有才华、有干劲;但总是不被理解,以至改革过程步履维艰,好事多磨。依靠着不屈不挠的奋斗,最终获得了成功。工人们团结在他的周围、新产品源源涌出,改革事业蒸蒸日上。如果仅仅这样,作品无疑是乏味的。尽管它可以 The creation of the theme of reform faces difficulties: similar characters, similar contradictions, similar conflicts, and more easily written and repeated. How to change or add new perspectives to enrich the genre, content and style is an urgent task facing the artist. Recently, I saw this change in watching the four episodes of TV drama “China Blue” (screenwriter Hu Ping, director Yang Tao, Qiao Hong, CCTV, Beijing Film Academy TV series and joint recording of Jiangxi University Institute of Contemporary Literature). The “Central” drama is a piece of work that is close to reality and describes the reform positively. It does not seem fresh to the underlying story. As many of the subject matter of the reform project portrayed: An intellectual once misclassified as a rightist was employed under the conditions of reform and opening up. He is talented and energetic; however, he is always not understood and even the reform process is struggling and the good things are getting worse. Rely on the indomitable struggle, eventually won. Workers are united around him, new products pour in, and the cause of reform is booming. If this is the case, the work is undoubtedly boring. Although it can