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写小说的泰安作家,各有各的特点,蔺时工的《日暮乡关》以深深的眷念,为乡亲们作传。他有意地麻木了历史感和道德判断能力,故作幽默和诙谐,时而感佩于他们的高尚,时而偏袒着他们的卑劣,在琐琐屑屑的追忆中,发出深长的叹息,显示出超越历史的旷达。石玉奎的《地平线》游走于官场与乡土之间,把爱情与淫荡、忠诚与阴谋、发展与堕落交织在一起,既写出了历史的演进,也写出了心灵的悸动,追慕着史诗品质。晨义的《苹果》,将笔触突进于少女心灵深处,出色表现了生命才待成熟时的美丽与纤弱,幸福与痛苦,渴望与危险,阐释了生命蜕变过程的艰难。石锡波的《鸿泥》和他们都不一样,有着自己独特的艺术面貌。石锡波是一位极富个性的作家。少年时期,他有着不乏苦涩的人生体验;成年之后,他沿着矿山、军营、机关的道路自学、自立、自强,成长为一位作家。这种先有生活积累,后有知识叠加的成长方式,使他对人生有着更深刻的体悟,并且在自信中养成了稳定的个性。没有
Tai’an writers writing novels, each with its own characteristics, Lin Shigong’s “day and night township” with deep nostalgia for folks who pass. He deliberately numbed the sense of history and moral judgment, made humorous and witty, sometimes admired in their noble, sometimes favors their despicable, in the trivial debris reminder, issued a deep sigh, showing beyond history Unceremonious. Shiyu Kui’s “Horizon” travels between the officialdom and the local customs. The combination of love and sensuality, loyalty and conspiracy, development and depravity has not only written the evolution of history, but also written the soul’s throbbing, chasing the epic quality. The “apple” in Chenyi impressed the strokes in the heart of a girl, displaying the beautiful and delicate life, happiness and suffering, longing and danger, and explained the hardship of life’s metamorphosis. Shih-Bo’s “mud” and they are not the same, has its own unique artistic appearance. Shi Xibo is a very individual writer. In his youth, he had no shortage of bitter experience of life; adult, he along the road of mines, barracks, institutions self-study, self-reliance, self-improvement, growth as a writer. This kind of accumulation of prior life and post-accumulation of knowledge has given him a deeper understanding of life and has built up a stable personality in self-confidence. No