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思想是艺术作品的灵魂,沒有伟大的思想,就沒有真正的艺术;思想与艺术真实两者是不可分割的。我們这个时代的作者如果沒有伟大的共产主义思想,沒有坚定的无产阶級立场,他就不可能創造出真实地反映我們时代的作品。江苏省話剧团演出的新剧目《紅与白》(周特生、江浩編剧,周特生导演),就是一部在思想上有着严重缺陷的作品。《紅与白》的題材和主題是有重大現实意义的。它是反映1955年冬——1957年春这一时期,党对資本主义工商业用贖买政策进行了和平改造。并取得了伟大胜利之后,一部分反动的資产阶級分子抗拒社会主义改造,篡夺公私合营的領导权,搞地下工厂,阴謀进行資本主义复辟的罪恶活动。最后,杨奉因等这一小撮反动的資产阶級分子,终于在广大职工的揭露下,受到了应有的法律制裁。他們企圖复辟資本主
Thought is the soul of a work of art. Without a great mind, there is no real art; both the mind and the true art are inseparable. Without the firm communist ideas and authoritative proletarian stance, the authors of our time can not create works that truly reflect our time. The new repertoire “Red and White” by Jiangsu Repertory Theater (Zhou Tesheng, Jiang Hao and Zhou Tesheng) is a work that has serious flaws in his thinking. The themes and themes of “red and white” are of great practical significance. It reflects the period from the winter of 1955 to the spring of 1957, during which the party peacefully rebuilt the redemption policy of capitalist industry and commerce. And achieved great victories, part of reactionary bourgeois elements opposed the socialist transformation, usurped the leadership of public-private partnerships, engaged underground factories and plotted the evil activities of capitalist restoration. In the end, because of the handful of reactionary bourgeois elements such as Yang Feng, they were finally subjected to due legal sanctions under the exposure of a large number of staff and workers. They tried to restore the capitalist