《读〈拉奥孔〉》是钱钟书的名篇,它对莱辛《拉奥孔》关于诗与画关系的论述进行了深入辨析与有力补充,然而这一切却是建立在对后者核心观念及由之生发的具体论点的疏忽或误读基础之上,它一定程度折射的是两者在时代和文学背景上的差异。虽然此文存在重大缺陷,然而从微观层面看,钱钟书所作的补充却有力阐发了语言艺术在表达丰富复杂的内心体验和心理变化方面的独特优势,其学术价值和存在意义并不因之而消失。 The book “Laocoon” is a famous piece of Qian Zhongshu. It profoundly discriminates and reinforces the dissertation on the relationship between poetry and painting in Lessing’s Laocoon. However, all of this is based on the later The core concept and the specific arguments arising from the negligence or misreading of it, to a certain extent, it reflects the difference between the two in the era and the literary background. Although there is a major flaw in this article, at the micro level, the supplement made by Qian Zhongshu effectively elucidates the unique advantages of language arts in expressing rich and complex inner experiences and psychological changes. Its academic value and existence significance are not due to it And disappear.