本文将《种谷记》与《太阳照在桑干河上》、《暴风骤雨》相参看,分析其共有的叙事结构。这一叙事结构自身是完整的和封闭的,同时,在这一框架下的叙事有其独特的时间观。本文试图对这一结构做出分析,指出其中所蕴含的宗教同构意味。这种结构下的叙事,有利于实现解放区文学所倡导的文学的宣传性。 This article will “seed Valley” and “the sun shines on the Sanggan River”, “stormy” co-viewing, analysis of its common narrative structure. The narrative structure itself is complete and closed, at the same time, the narrative under this framework has its unique concept of time. This article attempts to analyze this structure and point out the implication of religious isomorphism contained therein. The narrative under this kind of structure is conducive to the realization of the literary propaganda advocated by the literature in the liberated areas.