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马拉之死作为法国大革命中的一个重大事件,被写进每一部法国革命史,也为艺术家的创作提供了激动人心的素材,然而就算故事版本再多,也不是每个断头台下的鬼魂都有机会选择讲述自己的故事。1793年7月17日下午5点钟,巴黎革命广场挤满了人。一颗头颅从断头台上滚落下来,旁观者们“杀死她,杀死她”的呼声瞬间升至最高分贝。这是颗年轻法国女子的头颅,她是谁?观刑的普通人为何迫不及待地叫嚣杀死她?达维特为何藏匿凶手?《马拉之死》是幅“不宜公开”
As a major event in the French Revolution, the death of Mala was written into every French revolutionary history and provided an exciting source of material for the artist’s creation. However, not even every ghost Have the opportunity to choose to tell their own story. At 17 o’clock on July 17, 1793, the Revolution Square in Paris was full of people. A skull rolled down from the guillotine, the spectator who “killed her and killed her” instantly rose to the highest decibel. This is the head of a young French woman, who is she? Why does the ordinary man who looks after the punishment can not wait to kill her? Why did Davit hide the murderer? “The death of Mala” is “not open to the public”