论文部分内容阅读
这样“新大片”就在“新观众”的支撑下有了自己的新的发展。这种发展其实正是中国电影的新的发展。最近,《梅兰芳》《叶问》《非诚勿扰》《赤壁》(下)所激发的观影热潮其实是这些年电影形势剧烈变化的结果,也是新的观众经过多年的培养已经成熟的结果。这种大片突破了传统的武打为中心的必然的程式,有了前所未有的突破。而新的观众对于这样的电影的支持也格外引人瞩目。这些“新观众”的崛起,为新的“大片”的热潮提供了基础,而这种“新大片”也给“新观众”提供了新的资源,中国电影的活力正是这种“新观众”和“新大片”之间的成功的互动的结果。
In this way, “new blockbuster” has its own new development under the support of “new audience”. This development is actually a new development of Chinese movies. Recently, the upsurge of watching films inspired by “Meilan Fang”, “Ye Wen”, “You Are the One,” and “Chibi” (the second) is actually the result of drastic changes in the movie situation in these years and the maturity of new audiences after years of training. This blockbuster broke through the traditional martial arts as the center of the inevitable program, with an unprecedented breakthrough. The new audience’s support for such movies is also particularly noteworthy. The rise of these “new spectators” provides the basis for the new “blockbuster” boom, and this “new blockbuster” also provides new sources for “new spectators.” The Chinese movie’s Vitality is the result of a successful interaction between this “new spectator” and “new blockbuster.”