本文通过将动画制作实例演示的图例与原作对比分析,具体阐述了杜尚的绘画作品《下楼的裸女》中画面效果与动画语言的相接近之处。分别从时间延续性、空间的变化和运动轨迹这三个方面进行了详细的论述,说明杜尚在《下楼的裸女》这件绘画作品中表现运动感的尝试与动画语言中对空间、运动的表达不谋而合,显示了杜尚在艺术上具有卓越的超前意识。 This article elaborates the closeness of the screen effect and the animation language in Duchamp’s painting “Nude Downstairs” through the comparative analysis of the illustrations in the animation production examples. From the three aspects of time continuity, spatial change and motion trajectory, this paper discusses in detail how Duchamp’s attempt to express a sense of sport in the painting “The Nude Downstairs” Coincides with the expression of the show, showing Du Shang in art with excellent sense of advance.