杨凝式(少师)怍为五代书法中坚,在唐宋间起着承上启下的重要作用,对于二王笔法的传递历来给予高度评价。杨所处的时代正值五季之乱,他佯狂不仕。每不自检束,人以杨风子称之。其书如同其性格奇突多变,结体以险绝为奇。在他所存墨迹看来《韭花帖》简静精敛;《神仙起居法》奇倔姿肆,跌宕起伏合长史妙笔;《夏热帖》则字画奇古,笔势飞动;《卢鸿草堂十志图》有《祭侄稿》之雄浑气度。难能可贵的是他能以迥异的风格处理这类作品。譬如《韭花帖》之简静神 Yang condensate (less teacher) 怍 the backbone of the calligraphy of the Five Dynasties, played an important role in the Tang and Song Dynasties, the delivery of the two kings has always been highly praised. Yang’s era is at a time when five seasons of chaos, he pretended not mad. Each self-test beam, Yang Fengzi called it. Its book as odd and changeable in its character, knot to danger is absolutely amazing. In his memorial ink seems “leek flower posts” Jane Jing refined; “Immortal Living Act” Qi stubborn attitude, ups and downs of long history wonderful pen; “summer hot posts” is the ancient writing, gestures flying; “Lu Hong Chau ten map ”there is“ offering niece ”manhood. It is commendable that he can handle such works in different styles. For example, “leek flower posts” Jane static God