混迹于高等学府的艺术家大多非等闲之辈,而能登临三尺讲坛的艺术史学者也大都出身“名门”。他们或是名画家、名学者的后代,或是知名院校的毕业生,都有着十分“正宗”的“血统”。客观地说,家学渊源以及学校良好的治学传统 Most of the artists who have been separated from institutions of higher learning are mostly non-leisurely, while most of the art historians who can come to the three-foot forum are also mostly famous. They are well-known painters, famous scholars, descendants, or well-known institutions of graduates, have a very “authentic” “blood ”. Objectively speaking, the family origins and the school’s good tradition of scholarship