导演郑洞天以一种独特的叙事方式推出了他的《鸳鸯楼》,使观众耳目一新。不能否认,这在电影的叙事结构上可以说是一次新的探索。然而,这种叙事结构的得与失或许尚有可商榷之处。影片通过一种“展览式、片断性”的叙事方法,以一种平淡的、无修饰的、纪实性修辞方式叙述了大城市中六个家庭在某一个星期天的下午和晚上的平淡而无奇的生活。不难看出,编导在影片中以六对新婚不久的夫妻生活和大城市中惯有的封闭性的公寓为背景,为观众展现了当代城市生活表层结构上的单调而琐碎:深层结构上的繁乱而复杂的现象。影片中一个家庭、一对夫妻就是一个单列的故事。他们各自代表着不同文化和生活的断层。按导演的话 Director Zheng Dongtian launched his “Mandarin Duck House” in a unique way of narration, bringing the audience refreshing. Can not deny that this is a new exploration of the narrative structure of the movie. However, the gains and losses of this narrative structure may not be open to question. Through a kind of “exhibition-like, piecemeal” narrative method, the film narrates in a plain, unmodified and documentary rhetoric the dullness of the six families in a big city on a certain Sunday afternoon and evening life. It is not difficult to see that in the film, the director presents six layers of newly married couples and the usual enclosed apartments in big cities, presenting the audience with a monotonous and trivial structure on the surface of contemporary urban life: deep structural chaos The complex phenomenon. A family in the film, a couple is a single story. Each of them represents a fault of different cultures and lives. According to the director’s words