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二十世纪八十年代中期,伴随着改革开放深入,中西文化的交流、借鉴更加融合,西方音乐常用的创作体裁如室内乐、协奏曲,为大众喜爱,也受到中国作曲家的垂青。在筝乐创作领域其创作也由单一的独奏曲扩展到筝重奏曲、筝协奏曲等多种形式的创作。这些作曲家思想活跃,大胆借鉴西方多种音乐体裁的创作技法,通过全新的音乐语言、创作思维和发展手法进行创作,出现了筝重奏、筝与其他乐器重奏、大型协奏曲,筝与声乐合作等多种形式的作品,将筝这一极具东方神韵乐器的艺术表现力发挥的淋漓尽致。
In the mid-1980s, with the deepening of reform and opening up, the exchange of Chinese and Western cultures, and drawing more integration, the most commonly used genres of Western music such as chamber music and concerto were popular with the public and also favored by Chinese composers. In the field of zheng music creation, his creation also extends from a single solo song to various forms of creation such as zheng zither concerto and zheng concerto. These composers are active in thought, boldly drawing on the creative techniques of various musical genres in the West, and creating new musical language, creative thinking and development techniques. There have been Zhengzheng, Zheng and other musical instrument ensembles, large concerto, Zheng and vocal music cooperation Various forms of works, the great oriental musical instrument will perform the artistic expression of the most vividly.