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在风起云涌的当代书坛上,张世刚的书法创作,可谓是引人注目的。不光是说他出道得较早,十几年如一日,始终保持着一种良好的创作状态和势头,而且,他能不染时弊,以超然的姿态和稳健的步伐一如既往地行走,这一点是极为难能可贵的。可以说,张世刚的实践与思考,突出反映了当代中青年书法创作思潮中的一种显著趋势,那就是:重新面对传统。其实,无论现代人以怎样的接受方式去审视古老的书法传统,无论时下人们以怎样的立场去阐释古人书法的美境,有一点不可否认,那就是古人的书法观与时下作为艺术的书法品质之间已经存在着很
In the turbulent contemporary calligraphy, Zhang Shigang’s calligraphy can be described as striking. He not only said that he had been a pioneer for more than a dozen years, has always maintained a good state of creation and momentum, and he can not dictate the shortcomings, with a detached attitude and steady pace of walking as usual, which is Extremely commendable. It can be said that Zhang Shigang’s practice and thinking highlight one of the notable trends in contemporary calligraphy creations of young and middle-aged people. That is: to regain its tradition. Actually, no matter how modern people accept the ancient calligraphy tradition, no matter what position people nowadays use to interpret the artistic conception of the ancients’ calligraphy, it is undeniable that the calligraphy concept of the ancients and the present calligraphy quality of art There is already a lot of time