日前,中国电影评论学会在京召开理事扩大会,就此问题进行讨论,一致认为,在电影的转折时期,电影评论、理论工作者特别要有一种责任感,要有一种与中国电影现状休戚与共的忧患意识与参与意识。过去,电影评论、理论工作有报喜不报忧的倾向,对少数精、尖作品,探索作品研究甚多,对大批通俗作品关注不够,而对某些劣作及其代表的不良倾向批评不力,这种状况要迅速改变。不少同志呼吁:当前的电影评论、理论工作,视野要开阔,不仅要研究影片的成败得失,阐明电影创作规律,还要研究与创作有关的整个社会、文化、经济背景,研究电影体制、观众欣赏心理乃至电影 Recently, the China Film Critics Society held an enlarged council of directors in Beijing to discuss this issue. They all agreed that during the turning point of the movie, movie critics and theorists should have a sense of responsibility in particular. They should have a sense of urgency in keeping with the current situation of Chinese films And sense of participation. In the past, film criticism and theoretical work tended to report bad news. There were many studies on a handful of fine and talented works and explorations, insufficient attention on a large number of popular works, and poor criticisms of some bad works and their representatives’ bad tendencies. This situation should change rapidly. Many comrades have urged: Today’s film reviews, theoretical work and field of vision should be broadened. We must study not only the success or failure of the film but also the law of film creation. We must also study the entire social, cultural and economic background related to creation, and study the film system and the audience Enjoy the psychological and even movies