近来各种媒体对国内电影创作的“山寨”倾向发出越来越响亮的批评,这种批评从个体影评的意见甚至发展到学界主流和官方态度。表达高雅趣味和政策导向自然无可厚非,但我认为,对作为整体的山寨电影和作为方法的“山寨”应该有一个充分的、恰当的评价。 Recently, various media have been making louder and louder criticisms toward the “cottage” tendencies of domestic movie production. Such criticisms have even risen from the opinions of individual film critics to the academic mainstream and official attitude. There is nothing wrong with expressing taste and policy orientation, but I think there should be a full and appropriate assessment of the cottage movie as a whole and the “cottage” as a method.