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(接上期)从龠字之甲文、金文字形观察,其竖笔有二、三、四划不等,实合乎古人象形字的造字法。甲骨学先驱罗振玉先生在其《殷商贞卜文字考》~([29])一书明确指出:“古象形字因形示意,不拘笔画,许洨长之说象形也。日画成其物,随体诘诎,其说至明。盖古象形之文,以肖扬形为主,不拘笔画之简向背之刻辞中,所载诸文历历可证。……凡象形、会意诸字莫皆然。”据此可证,唐氏“并两而吹之”的所谓“原
(Connected to the period) from the A word of the word, gold glyph observation, the pen has two, three, four different plans, it is consistent with the ancients pictograph of the character. Mr. Luo Zhenyu, the pioneer of osteopathology, clearly pointed out in his book ”The Textual Research of Wen Shang Zhen Bu“ ([29]): ”The ancient pictographs are pictorial,诘 诎, said to the Ming. Cover the ancient pictorial text, mainly to Xiao Yang-shaped, informal strokes to the back of the dictation of words contained in the calendar can be documented ... ... Where the pictographic, intelligible. “According to this permit, Down’s ” and the two and blowing “the so-called ” original