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中国古代园林的精髓在于对人与自然关系的提炼与升华。本方案在一个300m2的狭长空间内,将园林中的种种建筑元素抽象化之后,叠加成一个概念意义上的园林,人们环绕其中,在堂、山、径间移步而无法清晰辨识内外。这个空间是多向性的,模糊的,同时具备或安静或活跃的空间气质可塑性;既可远观,又可“把玩”。其本身介于建筑物与雕塑之间的形态,无地基式的建造方式,半透明材料所呈现出的质感,加强了这种模糊性。
The essence of ancient Chinese gardens lies in the refinement and sublimation of the relationship between man and nature. The program in a 300m2 narrow space, the various architectural elements in the garden abstraction, superimposed into a conceptual sense of the garden, people around them, in the hall, the mountain, the path between the move and can not clearly identify the inside and outside. This space is multi-directional, vague, at the same time with or quiet or active space plasticity; both from afar, but also “play ”. It is inherently in the shape of buildings and sculptures, with no ground-based construction, and the translucent material presents a texture that reinforces this ambiguity.