靳以在创作中具有浓厚的民粹倾向,但在追随大众化潮流的同时,又不乏悲观色彩浓厚的内在困惑。在抗战小说中塑造了全新的女性形象,既具有巨大的乌托邦色彩,又伴有知识分子固有的忏悔意识。对人类的总体失望情绪及对其原罪的惩治欲望,构成了靳以独特的创作母题,也导致了其理想中民粹大厦的最终坍塌。 Jin in the creation of a strong tendency of populism, but in keeping with the trend of popular at the same time, there is no lack of deep pessimistic internal confusion. In the war novel creating a new female image, both with a huge utopian color, but also accompanied by intellectuals inherent remorse consciousness. The general disappointment to mankind and the desire to punish his original sin constituted Jin’s unique creative motif, which also led to the ultimate collapse of his idealistic populace.