些许年前的一天,留有一撮白胡的画家沈维才走进我的视野。因性情相近、钟爱相邻,由初时的偶有把酒言欢,到不时的长谈古今,渐次发展为常常一边观其挥毫泼墨,一边与其奉茶说天,成为无话不谈的好友。维才早年得金陵四大画家之一胡国仁真传,后喝了几年中央美院的高级墨水,在江河山川的游历中又添了许多灵性与悟道,画作在画界评价颇高。留有一撮黑胡的书法家祁斌曾有一文,不妨摘录一段:沈维才善画喜书,常有左书右画之美誉。其枝蔓遒劲盘 Some years ago, Shen Wei, a painter with a handful of white beings, stepped into my field of vision. Due to their similarities and their love of their neighbors, occasional long talk from ancient times to the present and ancient times, and gradually developed into one often observed while brushing ink, while talking to the days of Fengcha became a friend to talk about. In the early years of Wei Tzu, one of the four painters of Jinling, Hu Guoren made a true biography. He drank a few years of senior ink from the Central Academy of Fine Arts and added many spiritual and enlightenment to the rivers and mountains. Qi Bin, a calligrapher with a handful of black beings, had an article to try and excerpt: Shen Wei-cai is good at painting and often has the reputation of painting the left and right. Its branches Mange Jin disk