所谓“人艺”的传统风格,并不只是“再现”原则和“写实”原则及“写实”风格。“人艺”既有如曹禺那样严格的现实主义并蕴涵诗情的剧目;有老舍描写北京市井生活、富有乡土诗意的剧目,以及由他们所构成的写实风格的现实主义;也有郭沫若历史剧演出所形成的融化着戏曲传统美学、气度恢弘的浪漫主义。这构成“人艺”风格传统的整体内容。它成为内在的基因和动力。为新时期“人艺”艺术风格的发 The traditional style of “human art” is not merely the principle of “reproduction” and the principle of “realistic” and “realistic” style. There are both realistic realism and poetic repertoire as Cao Yu did. “The Art of Humanity” includes the portrayal of Beijing’s well-to-do life and rich local poetic style as well as the realistic style of realism formed by them; and Guo Moruo’s historical drama performance Melting traditional opera aesthetics, majestic romanticism. This constitutes a “human art” style of traditional content. It becomes an intrinsic gene and motivation. For the new era “art” art style hair