我们知道,美国诗人庞德在翻译中国古诗时,有意效仿中国古诗的一些表现手法,不理会英语语法规则,不采用归化翻译法,而是追求异化。本文认为,《华夏集》中存在着双重叛逆,即译文对中文原文的叛逆,和译文对本国语言(英语)的叛逆。这个《华夏集》翻译的最大特点,表现在创作理论、选材、句法、印刷版式、翻译语法和韵律六个方面。 As we know, when translating Chinese ancient poetry, the American poet, Pond, intends to imitate some expressions of ancient Chinese poetry, ignoring the rules of English grammar, adopting the method of domestication translation instead of pursuing alienation. This article argues that there is a double rebellion in the Huaxia Ji, namely, the rebellion of the translation on the original Chinese text and the rebellion of the translation on the native language (English). The most important feature of this “Huaxia Ji” translation is manifested in six aspects: creation theory, material selection, syntax, typography, translation grammar and rhythm.