SHMJ:你的卡通数字作品与架上作品差异相当大,它们之间的关系是否有延续性?或者是另辟蹊径?杨之:我想,必然存在着内在的延续性,即使外在表象有较大的差异。从早期的卡通数字绘画形式到近年的架上绘画形式,两者没有本质的区别,仅仅是表现的载体、途径有差异。两种形式对我来讲都是探索中的尝试,包括纸本水墨、水彩、丙烯、油彩等传统领域综合材料,也不排除未来有应用新材料的可能,包括新媒体。所有的尝试无非都在寻找最契合、最恰当的表现形式,表 SHMJ: There is a big difference between your cartoon digital works and the works on the shelves. Is there a continuity between them? Or is it another way? Yang: I think there must be inherent continuity, even if the external appearance is larger The difference. From the early days of cartoon digital painting to the form of on-the-shelf painting in recent years, there is no essential difference between the two. It is only a manifestation of the carrier with different approaches. Both forms are explorations for me and include traditional materials such as paper ink, watercolors, acrylics and oil paints, and the possibility of new materials being applied in the future, including new media. All attempts are nothing more than looking for the best fit, the most appropriate form of manifestation