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近年来,随着关中民俗文化日益受到重视,渭北拴马桩成为许多收藏单位竞相征集的藏品,但对拴马桩的断代与造型研究仍处于起步阶段,原因是石刻拴马桩作为民间文物,即无史料记载,又缺乏清代以前的纪年题款。在渭北拴马桩中“胡人戏狮”题材较为常见,本文尝试从艺术、史料、造型等角度上进行对比论证,就“胡人戏狮”拴马桩的艺术来源问题加以初步探讨。一、渭北拴马桩概述在陕西关中及渭北地区遗存着大量的拴马桩,近二十余年里被当今世人所关注。拴
In recent years, with the Guanzhong folk culture being paid more and more attention, the tied horse piles in Weibei have become the collections that many collecting units are competing to collect. However, the research on the generation and modeling of the tied piles is still in its infancy, because the stone piles are used as folk relics , That is, no historical records, but also the lack of previous Qing Dynasty inscriptions. In the tie of Weibei, the theme of “Hu Ren Xi Shi” is more common. This article tries to contrast and prove from the perspectives of art, historical materials and modeling, and discusses the artistic origin of “Hu Ren Xi Shi” To be a preliminary discussion. First, the Wei Bei tied horse pile overview Shaanxi Guanzhong and Weibei area remains a large number of tied stakes, nearly 20 years has been the concern of the world today. Chained