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自古以来,中国画的设色敷彩在绘画中一直扮演着非常重要的角色,拥有风格多样的原则性。南齐谢赫“六法论”中的“随类赋彩”作为美学体系理论,全面评价了色彩与画面之间的关系,强调了色调与画面节奏的把控性,这些观点对中国画的审美思想与设色体系的呈现都产生了决定性的影响。今天,在美术教育中,我们通过对中国画设色艺术的发展历程和对设色风格多样性的认知,借助艺术实践给学生在专业创作方面提供正确的引导,有助于提高学生了解中国画设色风格的发展过程。
Since ancient times, the color-coated color of Chinese painting has always played a very important role in the painting, with a variety of principles. As a theory of aesthetic system, Xie Qi in Sixth Symposium of Nan Qi made a comprehensive evaluation of the relationship between color and picture, emphasizing the controllability of hue and rhythm of the picture. Aesthetic thinking and color rendering system have had a decisive impact. Today, in the art education, through the development of the art of color-setting in Chinese painting and its cognition of the diversity of color-setting styles, we provide students with the correct guidance in professional creation through artistic practice, which helps to enhance students’ understanding of Chinese painting Color style development process.