每一个艺术家大概都有经过本人实践检验的关于戏剧形象的概念。我认为戏剧形象由三个要素构成。第一、真实,即形象的生活真实。如果不真率,观众不相信,就谈不上任何艺术形象。斯坦尼斯拉夫斯基的创作,他的戏剧教育论,他的体系都服从于一个目的:论征演员在舞台上自然的、逼真的动作的规律,帮助演员理解人的精神生活。斯坦尼斯拉夫斯基认为,形象的生活基础具有极大 Each artist probably has a concept of dramatic image that has been tested by himself. I think the dramatic image consists of three elements. First, the reality, that is, the image of life is real. If not true, the audience does not believe, you can not talk about any artistic image. Stanislavski’s creation, his theory of drama education, and his system obey one purpose: to discuss the law of the natural and realistic movements of actors on the stage and help the actors to understand the spiritual life of human beings. Stanislavski believes that the image of the life foundation has great