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女权主义第二次浪潮汹涌之际,出现了女权主义改写的童话,与此相随的是盛行“提高觉悟”。本文以此背景为考量,试析童话改写之典型—卡特的《血腥密室》。本文认为,通过稍事修改情节,重笔塑造具有女权意识的女性人物,采用第一人称叙述视角,卡特巧妙地颠覆了渗透于佩罗《蓝胡子》中的男权意识,谱写了一首高唱“提高觉悟”的女权主义之歌:它似乎在说,只有通过自己的诉说,妇女才能“对反驳或挑战父权制意识形态的话语进行编码”。
In the wake of the second wave of feminism, a fairy tale rewritten by feminists emerged. In the wake of this, feminism prevailed “to raise awareness.” Based on this background, this article attempts to analyze the typical adaptation of fairy tales - Carter’s “bloody chamber”. This paper argues that Carter subtly subverts the patriarchal consciousness infiltrating into Perot’s “Blue Beard” by composing a feminist consciousness with a brief revision of the plot. With a first-person narrative perspective, Carter wrote a song “The Feminist Song of Enlightenment: It seems to say that women can” encode words that refute or challenge the ideology of patriarchy "only through their own claims.