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目下我国艺术品的拍卖中心业已转移到文化古都化京。但追溯历史,改革开放以来,大陆首届中国书画艺术品拍卖会是在深圳举办的,是深圳市拍卖行敲响了新中国艺术品拍卖的第一槌。四年多过去了,当今深圳书画艺术品拍卖市场正在稳步中前进,’96深圳中国书画艺术品拍卖会的成交势头,显示深圳艺术品拍卖市场具有很大的潜力。 在眼下收藏成为时尚之际,彩陶的行市几乎跌到了谷底。彩陶行情的暴跌,其中一个重要原因是赝品充斥市场。因而,不少收藏者在市上见到彩陶疑而不决而不敢收藏。本期我们刊登李知宴先生的《史前陶器辨伪》,这是他从事古陶瓷研究和鉴定所积累的宝贵经验,古陶瓷的收藏者读后,当会获得识别彩陶真伪的某些奥秘和诀窍。
Now the auction center of Chinese art has been transferred to the ancient capital of Beijing. However, retrospectively, since the reform and opening up, the first Chinese painting and calligraphy art auction in mainland China was held in Shenzhen. It was the first gavel auctioned by the Shenzhen auction house at the auction of new Chinese art. More than four years have passed. Nowadays, the auction market for calligraphy and painting artworks in Shenzhen is steadily progressing. The turnover of the ’96 Chinese calligraphy and painting auction in Shenzhen shows the great potential of the Shenzhen art auction market. At the moment of collection as a fashion collection, painted pottery market almost fell to the bottom. Painted pottery market crash, one of the important reasons is the fake flooding the market. Therefore, many collectors in the city to see the color pot doubt underempred and not to collect. In this issue, we publish Mr. Li Zhifei’s “Prehistoric Pottery Distinguishing Pseudograph”, which is his valuable experience in the research and appraisal of ancient ceramics. After reading this collection, ancient pottery collectors will acquire certain mysteries and know-how to identify the authenticity of painted pottery.