论文部分内容阅读
嵇康的音乐美学思想是一个从本体论到欣赏论的思辨性很强的完整体系。他以“和”论乐，同时又以“无”释和，用玄学的“无”的精神来进一步扩充传统的音乐本体“和”的内涵。嵇康的音乐美学思想既是道家美学的逻辑发展与深化，也是魏晋玄学在美学上的完成与落实。
Ji Kang’s music aesthetics is a complete system of strong speculativeness from ontology to appreciation theory. He further explores the connotation of “harmony” in traditional music with “harmony” and at the same time with “no” interpretation and metaphysical “no” spirit. Ji Kang’s aesthetic thinking of music is not only the logical development and deepening of Taoist aesthetics but also the accomplishment and implementation of the Metaphysics in the Wei and Jin Dynasties.