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前期鲁艺演出的、体现斯坦尼斯拉夫斯基表演体系的现代话剧,曾受到知识分子观众的欢迎和党中央的倡导。在抗战时的延安,观众群体以农民为主,《讲话》后,阳春白雪般的延安大戏悄然退出。受到批评的后期鲁艺,学习前现代的民间艺术,在天地大舞台上演出了下里巴人的大戏。以西方戏剧艺术观,下里巴人的延安大戏开拓了表演环境,比阳春白雪的延安大戏更有先锋性,不自觉地在仪式中实现了前现代与后现代的融合。
The first stage of Lu Yi’s performance, which reflects the performance of Stanislavski’s modern drama, has been welcomed by the audience of intellectuals and the Central Party Committee’s advocacy. Yan’an in the war of resistance against Japan, the audience groups dominated by peasants, “speech”, quietly Yan’an drama quietly quit. After criticism of the late Lu Yi, learning the pre-modern folk art, in the world arena performed on the stage of the Cuban drama. With the western drama art view, the drama of Yan’an plays an important role in the performance of the performing arts. It is more avant-garde and unconscious than before in the Yan’an operas of Yang Chun Bai Xue, realizing the integration of pre-modern and post-modern in the ceremony.