稚夫的诗显然已经成为了世纪之交平庸自足、急功近利而纷争不断的诗坛之外的一个特异性的存在,一个我行我素、独立特行的“民间”写作(假如有那么一个虚幻的臆造出来而被人们各取所需的“中心”的话)的奇观。而围绕着他的诗歌,则已然形成了一个在当今普泛的文化贫乏和诗评易犯的“失语症”中殊为难能可贵的 It is clear that the poem of the juvenile has become a peculiar existence outside the poetic circles of mediocre self-sufficiency, quick success and dispute, and a “private” writing that goes its own way and performs independently (if there is such an illusionary fictionalization The wonders of what people call the “center”). Around his poetry, however, it has become a valuable one in the “aphasia” that today’s widespread culture is poor and poetry is easy to commit