当代中国的文艺学本体论生发于审美文论对文艺主体性及内在规律的探讨;成熟于本体论文艺学对于文艺作品、形式及语言本体意味的追问;最终又在解构文论的逻各斯中心主义即形而上意义消解中被颠覆和拆除。作为中国20世纪后20年文艺学发展的主导走向,它的建构与解构过程标示出中国当代文艺学的整体演进、文化背景的转换及哲学观念的位移。 Contemporary Chinese literature and art ontology originated in the aesthetic theory of literary and artistic subjectivity and the inherent law of exploration; maturity in ontology for literary and artistic works on the form of the meaning of language ontology; finally deconstruction of literary theory of logos Centrism is subversive and dismantled in the metaphysical dissolution. As the dominant trend in the development of Chinese literature and art in the latter 20 years of 20th century, its construction and deconstruction marked the overall evolution of Chinese contemporary literature and art, the change of cultural background and the displacement of philosophy.