读了姚敏同志的《佳作未必在题材》一文(载《陕西戏剧》1984年第三期),很有同感。的确,作品的优劣与题材的选择有着密切的关系,成功之作往往与题材选择得当有关。但这并不等于大题材才能写成“佳作”,有时不引人注目的“小题材”确实写出了传世之作。姚敏同志由此提倡题材的多样化是正确的, Comrade Yao Min read the “masterpiece may not be the subject,” a text (“Shaanxi drama” 1984 third period), very much in touch with. Indeed, the pros and cons of works are closely related to the choice of subject matter, and the success is often related to the appropriate selection of subjects. However, this does not mean that a big theme can be written as a “masterpiece,” and sometimes the “little theme” that does not attract much attention does indeed portray the handed down. Therefore, it is correct that Comrade Yao Min promoted the diversification of the theme,