我国南朝齐梁时的文艺理论家刘勰在《文心雕龙·声律》中述及:“夫音律所始,本于人声者也。声含宫商,肇自血气,先王因之,以制乐歌。故知器写人声,声非学器者也。”用今天的眼光看,笔者以为“器写人声”虽为必然而又绝非一律,而“声非学器”则显见偏颇了。作为音乐艺术中的两大门类,声乐与器乐既是同根而生、枝藤相缠,又是一源分流、各领风骚的。 Liu Yong, a literary theorist at the time of Qiliang in the Southern Dynasties, stated in his article “The Literary Mind and the Carving of Dragons · Sound Law” that “ In order to write music, the sound non-scholar also. ”From today’s point of view, I think“ writers voice ”is inevitable but not uniform, and“ sound non-scholar ”is obvious Biased. As the two major categories of music art, vocal music and instrumental music are both born from the same root, branches and rattlesnakes, but also a source of diversion, each leading the trend.