真正的批评家总是会用他的批评去激活新的理论思考,而不是尾随在教条的理论后面。这样的批评家与真正的艺术家是一样的,他不是对已经有的艺术现象进行概括和分析,而是发现艺术的可能性。至少来说,从罗杰·弗莱到格林伯格的现代艺术批评告诉了我们,至今人们还习惯于用的艺术本体论早就受到挑战,而旧的理论和旧的艺术现象都反驳不了新的艺术价值。尽管现在已经是当代艺术的时代而不是现代艺术的时代,但我们还是有必要重温罗杰·弗莱 True critics will always use his criticism to activate new theoretical thinking, rather than following the dogma doctrine. Such a critic is the same as a real artist. Instead of summarizing and analyzing the existing phenomenon of art, he finds the possibility of art. At the very least, the criticism of modern art from Roger Frye to Greenberg tells us that the art ontology that people are accustomed to using so far has been challenged long ago, and both the old theory and the old art phenomenon can not refute the new Artistic value. Although now is the era of contemporary art rather than the era of modern art, but we still need to review Roger Frye