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德彪西是法国印象主义音乐的突出代表作曲家。他与东方文化的结缘充分体现在了他的作品中。德彪西的二十四首前奏曲是对前奏曲这一钢琴体裁的发展和完善,本文从意境和文人气质两个方面来探究分析德彪西作品中的东方元素,对演奏实践具有理论意义。
Debussy is a prominent composer of French Impressionist music. His affinity with oriental culture is fully reflected in his works. Debussy’s twenty-four prelude to the prelude to the piano genre development and improvement of this article from two aspects of artistic conception and literary temperament to explore and analyze the works of Debussy elements in the East, the performance of practice has theoretical significance .