一位法国人曾经说过,“有一种东西比‘美’更令人喜欢,那就是变化不同。”揉音主要使以人声为最理想的典范,每件乐器的发明都是以模仿人声为其发音的理想。当我们洗礼感到喜悦与痛苦、爱与恨时,说话的声音一定带有不稳定颤动的声调。声音也一样如此,也没能通过揉音来表达发音的色彩。因此,揉音时装饰发音的一个重要不可缺少的因素,是强化乐音的一种手段。 A Frenchman once said that “there is something more likable than ’beauty,’ that is, changes are different.” The rubbing tone mainly made vocals the ideal model, and the invention of each instrument was based on Imitation vocals for their pronunciation ideal. When we are baptized with joy and sorrow, love and hate, the voice of our voices must be accompanied by an unstable, trembling tone. The same is true of the voice, nor can it be used to express the color of pronunciation. Therefore, an important and indispensable factor in the pronunciation of decorative rubbing tone is a means of strengthening musical tones.