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89 (续本刊1992年第6期) 其后便是巴赞论证的最后一步——提倡现实主义即意味要运用空间现实主义风格——我们马上就会注意到,这一命题已经丧失了它具有的锋芒,因为,它已经证明,电影家们现在还没有运用由于这一手段本性所决定的现实主义。加之,正如我所要证实的,在构成巴赞空间现实主义风格的技巧——诸如深焦距之类的技巧——同现实主义之间并不存在必然的联系。诚然,“现实主义”有许多含义。称一部影片为现实
89 (Continued from issue 6, 1992) This is the last step in Bazin’s argument - advocating realism means applying the style of spatial realism - and we will immediately notice that this proposition has lost its proposition It has the edge, because it has shown that filmmakers are not yet using the realism that is determined by the nature of this instrument. Plus, as I have to confirm, there is no necessary link with realism in the techniques that make up Barzan’s realist style of realism - techniques such as deep focus. True, “realism” has many meanings. Call a movie a reality