邵牧君同志的《电影美学随想纪要》(载《电影艺术》1984年11期),就当前电影界关注的广泛电影美学课题进行论辩,其中不乏颇有启发性的见解。文章最后部分,《随想之六》,专门探讨电影民族化,是全文中较弱的部分,其基本观点则实在不敢苟同。本文主要探讨的就是这个部分,仅仅由于我对电影民族化的课题有过点接触,并非着意“攻其一点不及其余”。 Comrade Shao Mujun’s “Aesthetics of Movie Aesthetics” (contained in “The Art of Cinematography” 1984-11) argues that the current film industry is concerned with a wide range of topics in film aesthetics, some of which are quite enlightening opinions. The last part of the article, “Six of Six”, devoted to film nationalization, is the weakest part of the text, and its basic viewpoints are really not agree. This article mainly explores this part, just because I have had some contact with the nationalization of the movie, and I do not mean “attacking it a little less than the rest.”