《双影》内容丰富,篇幅巨大,是朴荣俊文学生涯中非常特别且重要的作品。但是关于朴荣浚的先行研究中几乎从未涉及到这部作品,只集中于同时期发表的另外四部短篇小说,并且尤其侧重于解读这些作品中蕴含得的作家的满洲意识。通过《双影》的情节发展和作品中多样的人物形象设置及其行为,分析作者想要表达的作家意识,从而更全面的理解朴荣浚这一时期的文学,加深对朴荣浚和他整个文学生涯的解读。这部作品是作者在日本帝国主义殖民时期迁居满洲后,以燕熙职业学校时期、龙井时期和磐石时期的经历为素材创作的作品,展现了殖民时期的青年一代真实的生活面貌。生活中总是有光明和阴暗两面,即‘双影’。主人公崔慧莲在故事中不断抗争,也不断妥协,但最终会走向成功和幸福。她的行动轨迹和心理描写也时时刻刻明暗两面交替存在。主人公在不断思考中克服痛苦、成长壮大的人生姿态正是‘双影’意义所在。 Shuang Ying is rich in content and huge in length, and is a very special and important work of Park Young-man’s literary career. But Park Jung-ju’s pioneering research has rarely touched on this work, focusing on only four other short stories published in the same period, with particular emphasis on the Manchurian consciousness of the writers embedded in these works. Through the development of “double shadow” plots and the variety of characters in his works and their behaviors, he analyzes the writer’s consciousness that the author wants to express, so that he can understand the literature of this period more completely and deepen his understanding of Park Jung-jun and his whole literary career Interpretation. This work, which was written by the author after he moved to Manchuria during the colonial period of Japan’s imperialism and was based on the experiences of the Yanxi Vocational School, the Longjing period and the Rock of Rocks, shows the true life style of the young colonial generation. Life is always bright and dark on both sides, that is, ’double shadow’. Cui Huilian protagonist in the story continue to fight, but also continue to compromise, but eventually will go to success and happiness. Her motion trajectory and psychological description also alternating light and dark alternately. The protagonist in the constant thinking to overcome the pain, growing strong life attitude is the meaning of ’double shadow’.