艺术发展到今天所面临的是对过去和未来的选择问题,年轻的一代想要做先知的人越来越多,但是超越不是说出来的,更何况要走在时代的前面,艺术的领先只有靠我们的努力才能得到实现。我们现在所称为艺术的这种活动与传统艺术品这种概念有着不同的区別。传统艺术是建立画面上的空间,我们后来逐渐习惯称之为画面的语言,这种语言就是把物体放进画面的虚空之中,从而形成了空间的存在.无论是画面的虚空间,还是客观上的实空间,都是物质生存的环境因素,也就是实体生存的环境。实体的建立是人建立的一种物质,就像工人在自然的空间之中制造一把椅子一样,之所以称椅子为实体是因为它占有了空间,它必要的条件就是具有占据空间的四个支撑点,工人因为考虑到空间的价值才解决了物质的空间问题,四条椅子腿的存在。绘画最初想在画面上建立物质存在,手段就是模仿,利用透视、光、形象等等语言,这种语言经过几代人的发展,人们逐渐习惯称之为绘画语言。绘画语言只是作为表现的一种手 The development of art today is facing the choice of the past and the future. More and more young people want to be prophets, but the transcendence does not mean that, let alone walk in front of the times. The leading art is only By our efforts can be achieved. The activity we now call art has a different distinction from the concept of traditional artwork. Traditional art is to establish the space on the screen, and later we are gradually used to call the language of the picture, the language is to put the object into the void of the picture, thus forming the existence of space.No matter the virtual space of the picture or the objective On the real space, are the environmental factors of material existence, that is, the physical environment of survival. The establishment of an entity is a substance created by man, just as a worker makes a chair in a natural space, the reason why a chair is an entity is that it takes up space and the necessary condition is that it has four spaces Support points, because workers take into account the value of space to solve the physical space problems, the existence of four chair legs. Painting originally wanted to establish the material existence on the screen by imitating and using the languages ​​of perspective, light, image and so on. After several generations of development, people gradually became accustomed to call it the language of painting. Drawing language is just a kind of hand