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毫无疑问,小说,在当今中国文坛上呈现出比以往任何时候都繁荣的景观,但是,小说对于我们的时代和我们的读者来说也似乎比以往任何时候都没像现在这样存在一种意义缺席。是因为我们的时代不需要小说这种文体形式?是因为小说失去了以往时代所需要的命题?是因为小说远离了我们的时代的生活?还是因为小说的审美范型已经不再是我们时代的文化类型?或是因为我们的读者我们的大众我们的文化正在遗忘小说吗?果真如此,那么,为什么当今的中国小说又是如此的司空见惯如此的层出不穷呢?为什么小说几乎成为当今文学独领风骚的文学形式?这
There is no doubt that novels, in today’s Chinese literary world, present a more prosperous landscape than ever before, but novels seem to us as contemporary as our readers as ever absence. Is it because our times do not need the stylistic form of fiction? Is it because the novel has lost the propositions required by the past era, because the novel is far away from the life of our time, or because the aesthetic paradigm of the novel is no longer our time? Culture? Or because of our readers Our mass Our culture is forgetting fiction? If so, why is so common in today’s Chinese fiction so endless? Why the novel has become almost dominated in today’s literature Literary form?