拿起《电影评介》一九八二年第三期上刊登的大可同志的《丛珊与山口百惠》,细读之后有点感慨,特在此说几句门外汉的话。大可同志的文章旨意是说丛珊的表演深沉感人,很成功,她的表演风格很象山口百惠,于是作者为丛珊指出了今后的发展道路和方向——“登上山口曾经到过的高峰”。我觉得作者为丛珊指引的这条道路是一条并不很光彩的路。与其说是在鼓励丛珊前进和发展,倒不如说是在她前进的道路上暗设栅栏更为恰当. 不错,山口百惠在艺术上有一定造诣,取得了很高的成就,值得学习。但是作为一个中国演员,在表演艺术上应有自己的风格、自己的特色,这是很重要的一点.我们中华民族的丛珊何必硬要去象日本的山口呢?何必硬要去步外国人的后尘呢?平时我们常说要注重发展和创造我们的民族艺术,但在实际中出现了几个崭露头角的演员后,为什么有人就忘了这一点,急急 Pick up “movie reviews” published in the third issue of 1982, the comrades of “Cong Shan and Yamaguchi Momoe,” after reading a little feeling, especially here to say a few laymen. The comic article aims to say that Cong Shan’s performance is deeply touching and very successful. Her style of performance is like that of Yamaguchi, so the author pointed out the future development path and direction for Cong-Shan The peak. " I think this is a very not brilliant road for the author to guide Cousin. Not so much to encourage Panshan to move forward and develop, not to mention that it is more appropriate to set up fences on the way of her advancement.Yes, Yamaguchi Momoyuki has a certain attainments in art and has achieved great accomplishments and deserves to learn. However, as a Chinese actor, in the performing arts should have its own style, their own characteristics, this is a very important point. We Chinese Congruhan why hard to go like the Japanese Yamaguchi? Why hard to step foreigners Often we often say that we should pay attention to the development and creation of our national arts, but in reality there are several budding actors appeared, why some people forget this, hurry