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陈传席先生发表于《美术观察》2003年第1期的《批评就是宣传》一文不仅对时下充满血腥、颓废、刺激的前卫艺术进行了严厉的批评,而且就艺术与宣传的关系作了精辟的论述。文中最后一段有一句是这样的:“在‘有害的艺术’尚未形成风气,尚不为人所知时,扼杀,限制,扑灭它最有效的方法就是不报道,不批评,不作任何理睬。”根据其上下文不知是否可以理解为:凡是‘有害的艺术”都不报道,不批评,听这任之流之。对此,我的观点是:这是一种消极对抗的方法,“有
The article “Criticism is Publicity” published by Mr. Chen Chuanxi in Art Observation No. 1, 2003 not only harshly criticized the avant-garde art that is full of bloody, decadent and exciting nowadays, but also elaborated on the relationship between art and propaganda . The last sentence of the article reads: “The most effective way to strangle, limit and put out ’harmful art’ has not been reported, criticized, or ignored, yet it is not yet known.” According to I do not know whether its context can be understood as: “No” harmful art “is not reported, do not criticize, listen to the flow of this. My view is: This is a negative confrontation method,” there is