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从徽班进京至今,京剧的产生与演变已有二百多年的历史。京剧腔调主要以西皮和二黄为主,以胡琴和锣鼓等做伴奏乐器,是中国十大国粹之一。传统京剧融合了汉剧、徽剧,吸收了秦腔、昆曲、梆子、弋阳腔等艺术的优点,多表现历史题材;现代京剧是在京剧的基础上,将传统京剧和现代音乐相互接触,受到新文化运动的影响,逐渐被后代掺加了一些新成分和改动,从京剧中的“改革”、“革命”、“创新”、“与时俱进”而来,多反映现实题材;虚实结合是京剧表演中的一个重要美学特征,京剧舞台表演的虚拟,多在传统戏中体现,而现代京剧在西方戏剧文化的影响下,舞台表演多于表现新的时代生活,有了写实化表演倾向。
From the emblem class into Beijing so far, the emergence and evolution of Beijing Opera has more than two hundred years of history. Peking opera accent mainly in the West and the two yellow-based, with accompaniment of instruments and drums and other accompaniment of musical instruments, is one of China’s top ten quintessence. Traditional Peking opera combines Han opera and Hui opera and absorbs the merits of the art of Qin, Kunqu, Bangzi and Yiyang cavities and displays many historical themes. Modern Peking opera is based on the Peking opera, bringing traditional Peking opera and modern music into contact with each other and receiving new cultural movements , Gradually adding some new ingredients and changes to future generations by Peking Opera, such as “Reform ”, “Revolution ”, “Innovation ” and “Advance with the Times ” The realistic subject; the combination of the actual situation and the actual situation is an important aesthetic feature in the performance of the Beijing Opera. The virtual performance of the Beijing stage performance is mostly reflected in the traditional play. However, under the influence of western drama culture, the modern performance of the opera is more than the performance of the new era life Realistic performance tendency.