20世纪30年代,滕固曾发表过一些诗歌和短篇小说集,时至今日,文学界常常把滕固视为三线作家偶尔提及。与其文学界所处的尴尬地位不同的是,滕固在美术史学研究领域享有极高声誉,学术界往往把他视为中国第一位专业的“批评性艺术史家”。遗憾的是由于种种原因,他在美术领域长期被淡忘或无人知晓,这与其实际影响力极不相符。2003年,沈宁先生编 In the 1930s, Teng Gu has published a number of poems and short stories. To this day, literary circles often regard Teng Gu as a third-line writer occasionally. Contrary to the awkward position of literary circles, Teng solid enjoys a high reputation in the field of art history research, and academics often regard him as the first “critical art historian” in China. Unfortunately for various reasons, he has long been forgotten or unknown in the art field, which is far from its actual influence. In 2003, Mr. Shen Ning compiled