拉康的理论体系博大精深,但他对欲望的理解显然是其中重要一环。本文试图以电影入理,从日本电影《告白》和西班牙电影《吾栖之肤》入手,讨论或止步于象征界前或在迈入象征界后,欲望是如何以诱人之姿使人泥足深陷,并最终以悲剧收场。欲望就是他者的欲望(Le désir de l’homme,c’est le désir de l’Autre)是拉康在自己的作品中反复对我们强调的一句箴言。探寻主体的欲望 Lacan’s theoretical system is broad and profound, but his understanding of desire is obviously an important part of it. This article attempts to film into the management, from the Japanese film “Confessions” and the Spanish film “My Wise Skin” to start, discuss or stop before the symbol or after entering the symbolic community, Deep, and eventually ended in tragedy. Desire is the desire of the Other (Le désir de l’homme, c’est le désir de l’Autre) is a motto Lacan repeatedly emphasized to us in his work. Explore the subject’s desires