近几年来,由工笔画而引发的对“写实”及“写意”的思考与呼唤不断见诸各种媒体,无论是画家还是美术理论家,这几乎成了他们共同的兴趣点之一。诚然,经过三十多年的改革开放、引进吸收,人们重新审视眼前的一切,这确实反映了国人对民族文化价值的自觉的再认识,无疑,这是一大进步。然而,人们对“写实”与“写意”的认知及它们之间辩证关系的看法却不尽相同。由此而引发的争议、探讨,往往各执己见,窥一斑而难见全貌。对当前工笔画创作不满的原因,归纳起来无外以下几点:1.来 In recent years, the thinking and calling of “realism” and “freehand” caused by the fine brushwork have been seen in various media constantly. It is almost a common interest for both artists and art theorists one. It is true that after more than 30 years of reform and opening up and the introduction and absorption of people, people have to re-examine everything in sight. This truly reflects the people’s conscious re-understanding of the national cultural values. This is undoubtedly a big step forward. However, people’s perceptions of “realism ” and “freehand ” are not the same as the dialectical relationship between them. The resulting controversy, discussion, often obsession, glimpse of the picture and difficult to see the whole picture. The reasons for dissatisfaction with the current creation of works of art, summed up the following things: 1