戏曲艺术,历来有借鉴动物和花草的优雅神态,创段动作的好传统,很多行话至今仍保留着这样的痕迹,如:兰花手、鹞子翻身、燕子抄水等等,昆曲中还有五出摸拟五毒外形表现人物的五毒戏。中国评剧院青年演员谷文月通过细心观察嬉戏追逐的热带鱼、飘逸舒展的牡丹花,得到了启示。从而丰富了她在传统中的身段动作。谷文月继承“新(凤霞)派”艺术,但由于在“四人帮”作乱时期,功夫荒废了,所以开始排演《花为媒》时,她的动作僵硬、表情呆板,连花旦台步都不会走 Traditional opera art has always drawn on the elegant demeanor of animals and plants and the good tradition of creating movements. Many jargon still retains traces of such as orchids, prickly heat, water swallows, etc. There are five Five poison scenes to simulate five poison appearances. Gu Wenyue, a young actor from China Review Theater, was inspired by careful observation of the tropical fish chased and chased by the peacock that stretches gracefully. Thus enriching her body movements in the tradition. Gu Wenyue inherited the art of “Feng Xia School,” but her work was stiff and dull when she started rehearsing “Kung Fu” because of the chaos in the Gang of Four.